Explanatory Notes        Apparatus Notes ()

Source: Collection of Susan Jaffe Tane ([CtWep1])

Cue: "This is to; To-day I arranged"

Source format: "MS"

Letter type: "[standard letter]"

Notes:

Last modified: 2012-06-04T11:17:38

Revision History: AB | ldm 2012-06-04

MTPDocEd
To Elisha Bliss, Jr.
22 December 1870 • Buffalo, N.Y. (MS: CtY-BR, ViU, Axelrod, UCCL 02785)
c
Friend Bliss:

This is to acknowledge receipt of the fifteen e hundred dollars for the foreign expedition. Thanks.

Sam. L. Clemens

The contract has gone to you, approved & signed. Send me one.

You’d better go to canvassing for the vol. of sketches now, hadn’t you? You must illustrate it—& mind you, the manemendation to do the choicest of the picturesemendation is Mullin—the Sistersemendation are reforming him & heemendation is sadly in need of work & moneyemendation. Write to Launt Thompson the Sculptor, (Albemarle Hotel, New York) about him. I did w emendation so want him for that satire but didn’t know he was sober now & in hospital.1explanatory note

Make out a contract for the sketch-book (7½ per cent.) & mail to me.2explanatory note

I think the sketch-book should be as profusely illustrated as the Innocents.

To-day I arranged enough sketches to make 200 134 pages of the book (200 words on a page, I estimated—size of De Witt Talmage’s new book of rubbish.)3explanatory note I shall go right on till I have finished selecting, & then write an new sketch or so. One hundred of the pages selected to-day are scarcely known.

I bought my Jumping Frog from Webb. emendation—gave him what he owed me ($60000,), and $800 cash, & 300 remaining copies of the book, & also took $128 worth of fresh emendation unprinted paper off his hands.4explanatory note

I think of a Jumping Frog pamphlet (illustrated) for next Christmas—do you want it?5explanatory note

Ys Ever
Mark

letter docketed by Bliss: Write L. Thompson sculptor about Mullins Albemarle Hotel and, in another hand:and Mark Twain | Dec 22/70 | Author

Textual Commentary
22 December 1870 • To Elisha Bliss, Jr.Buffalo, N.Y.UCCL 02785
Source text(s):

MS, Willard S. Morse Collection, Beinecke Rare Book and Manuscript Library, Yale University (CtY-BR), is copy-text for ‘ c . . . Albemarle’ and ‘✓’ (281.1–12 and 281.31); MS, Clifton Waller Barrett Library, University of Virginia, Charlottesville (ViU), is copy-text for ‘Hotel . . . known.’ and ‘Write . . . Hotel’ (281.12–21 and 281.30–31); and MS, collection of Todd M. Axelrod, is copy-text for ‘I . . . Mark’ and ‘Mark . . . Author’ (281.22–28 and 281.31–32). The left margin of MS page 2 (CtY-BR) is torn, obliterating some characters or portions of characters.

Previous Publication:

L4 , 281–283; MTLP , 52–53 (CtY-BR text only).

Provenance:

MS donated to CtY by Walter F. Frear in 1942; MS deposited at ViU by Clifton Waller Barrett on 17 December 1963; present location of the MS owned by Noël J. Cortés in 1975 and by Axelrod in 1983 is not known.

Explanatory Notes
1 

Edward F. Mullen had contributed illustrations to humorous books by three of Clemens’s contemporaries: “Drifting About”; or, What “Jeems Pipes, of Pipesville,” Saw-and-Did (New York: G. W. Carleton, 1863), by Stephen C. Massett; The Life and Adventures, Songs, Services and Speeches of Private Miles O’Reilly; (New York: G. W. Carleton, 1864), by Charles G. Halpine; and Artemus Ward; His Travels (New York: G. W. Carleton, 1865), by Charles Farrar Browne. The satire Clemens had wanted Mullen for was “The House that Jack Built,” an attack on the promoters of the Erie Railroad, in Mark Twain’s (Burlesque) Autobiography and First Romance. (It instead featured cartoons by Henry Louis Stephens.) Bliss, who had been dissatisfied with Mullen in the past, agreed to use him again (see note 5, below, and 4 and 5 Jan 71 to Bliss, n. 4click to open letter). Launt Thompson (1833–94), whose studio was at 51 West Tenth Street, was temporarily living at the Albemarle Hotel between lodgings (Hamilton, 189–90, 208, 210; Wilson: 1870, 1200; 1871, 1142).

2 

Bliss sent Clemens a copy of the signed diamond mine book contract (see Contract for Diamond Mine Bookclick to open letter) and a draft sketch book contract ( ET&S1 , 435) on 29 December.

3 

Talmage, whose writing Clemens had ridiculed in the May 1870 Galaxy (30? Apr 70 to Converse, n. 1click to open letter), had published his first book, Crumbs Swept Up, a popular collection of instructive tales, anecdotal essays, and travel articles, in the fall of 1870.

4 

Clemens’s copy of a statement from New York printer and binder Samuel W. Green, itemizing work done for Charles Henry Webb on The Celebrated Jumping Frog of Calaveras County, And other Sketches, survives in the Mark Twain Papers. Dated 10 December 1870, and prepared for Clemens and Webb’s negotiations in New York, it shows that 4,076 copies of the Jumping Frog book were bound between 30 April 1867 and 21 October 1870, with an additional 250 copies remaining in unbound sheets. The statement does not indicate the cost to Webb for printing or binding. Nor does it mention the 50 bound copies that apparently remained unsold. Since Clemens’s royalty probably was 10 percent of the retail price ($1.00 paperbound, $1.50 cloth), the total amount owed to him—discounting the unsold books, and not allowing for review copies—would have been between $402.60 and $603.90 (Wilson 1870, 469; L2 , 48–49, 53; ET&S1 , 545 nn. 43, 44). [Figures corrected 2011.]

5 

Bliss replied on 28 December (misdating his letter 29 December; CU-MARK):

Friend Clemens,

Yours of 22nd rec’d. Glad to hear you are progressing with the Books— I believe I wrote you I would copy this contract the next day after I wrote you & send you Well I think I did—not do as I agreed this time— The fact is I have been so busy with your brother &c getting things ready for paper &c I have not had a moment to do it— Have waited 2 or 3 days past to do it & send with this reply, & now dont send it. Well I will do it to night before I go to bed & also make out the contract for the Sketch book & send both tomorrows’ mail—but dare not delay writing you longer. Yes we will have Mullen illustrate the sketch book all right. Glad you have the Jumping Frog, in your own hands, but think he got the big end of a loaf  He ought to have sold you the plates for what he owed you.

Dont you think Jumping Frog would be a big thing in the sketch book? Seems to me it will do you as much good there as anywhere & pay you best— Think strongly of it, & see if you dont think it will be best to put it in there— By the way where are the plates & dont you want the book sold as it is—think we could sell a good many without making a noise—if you dont put it in Sketch book— Yes we want it in the pamphlet, or at least talk it over with you before you let it go, if you use it this way. Are you coming on? Will canvass for Sketch book as soon as Prospectus is ready for it. Will send Contracts tomorrow. Excuse my past lies failures.

Truly
Bliss

On 29 December, in his letter enclosing the sketchbook contract, Bliss asked Clemens to revise his old sketches and include some new ones so that “a new copyright” could be secured on the volume (CU-MARK). The contract for it made this a requirement ( ET&S1 , 435). For Clemens’s plans for the plates of the Jumping Frog book, see 17 Dec 70 to Fairbanksclick to open letter. He responded to Bliss’s Jumping Frog proposals and submitted some portion of the sketchbook contents in early January 1871 (3 Jan 71, 4 and 5 Jan 71, both to Bliss).

Emendations and Textual Notes
  the man •  ◇he man torn
  the pictures •  the pictures torn
  Sisters •  Sisters torn
  he •  he torn
  money •  money torn
  w  •  partly formed
  Webb.  •  deletion implied
  fresh •  ‘h’ partly formed
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