Explanatory Notes        Apparatus Notes ()

Source: Harvard University, Houghton Library, Cambridge, Mass ([MH-H])

Cue: "I have scratched"

Source format: "MS"

Letter type: "[standard letter]"

Notes:

Last modified:

Revision History: AB

MTPDocEd
To William Dean Howells
22 May 1875 • Hartford, Conn. (MS: MH-H, UCCL 01235)
My Dear Howells:1explanatory note

I have scratched out all about the songs—as you suggest, it was best.

You may not approve the last paragraph of the postscript which I have added, but it seems necessary because otherwise I either seem to have stopped in the middle of my subject at the editor’s request, or else regularly “petered out.” But No. 6 closes the series first-rate with the death of piloting, & needs no postscript. Therefore I would suggest that you leave out this No. 7 entirely & let the articles end with the June No. On the whole I should think that would be the neatest thing to do. I retire with dignity, then, instead of awkwardly.2explanatory note

There is a world of river stuff to write about, but I find it won’t cut up into chapters, worth a cent. It needs to run right along, with no breaks but imaginary ones.

Bret Harte was here the other day to rent a house. Haven’t heard how he succeeded.3explanatory note

Can’t you & Mrs. Howells run down next Saturday? I wish you’d try. Things are blooming now. We’ve tried hard to get to Cambridge, but ever so many things have interfered.

Yrs Ever
Clemens
Textual Commentary
22 May 1875 • To William Dean HowellsHartford, Conn.UCCL 01235
Source text(s):

MS, Houghton Library, Harvard University (MH-H, shelf mark bMS Am 1784 [98]).

Previous Publication:

L6 , 482–84; MTHL , 1:84–85.

Provenance:

see Howells Letters in Description of Provenance.

Explanatory Notes
1 

Clemens answered the following letter (CU-MARK), which in part replied to his of 12 May:

editorial office of the atlantic monthly. the riverside press, cambridge, mass.

May 20, 1875.

My dear Clemens:

This is capital—I shall hate to have you stop!—but there’s one paragraph (marked ?d) which I’d leave out because it seems lugged in, a little. I don’t know but it would be well to omit all that about sea-songs. But use your own taste. Maybe it wouldnt.

Glad you liked the Raymond criticism so well.

Yours ever

W. D. Howells.

Please return soon.

2 

With his letter Howells enclosed proofsheets of the final installment of “Old Times on the Mississippi.” Clemens did not quite delete “all about the songs,” but retained a few very brief allusions to singing aboard steamboats. Howells evidently did not approve of the added “postscript” explaining the seemingly sudden end of the series. The article concluded instead with a lengthy anecdote about Strother Wiley (“Stephen”), introduced as follows: “In the absence of further statistics, I beg to close this series of Old Mississippi articles with one more reminiscence of wayward, careless, ingenious ‘Stephen,’ whom I described in a former paper” (SLC 1875, 194). (It is unlikely that this reminiscence was the postscript, as previously suggested: see MTHL , 1:85 n. 2.) A discussion about a suitable ending and some consequent revision, possibly including addition of the entire Wiley anecdote, doubtless was the reason that publication was delayed. If Howells had accepted Clemens’s 22 May alterations, including the postscript, the typesetting and printing could have been completed well before 12 June, when the July Atlantic was available (“The July Atlantic,” Hartford Courant, 12 June 75, 2). On 7 June, however, Clemens was again reworking this last installment, and Howells had postponed publication until August (see 7 June 75 to Howellsclick to open letter).

3 

Harte was in Hartford on 18 May. Twichell, in his journal entry about that day’s baseball game (see the previous letter, n. 1), noted: “On the way to this match we met Mr Bliss with Bret Harte going to look at a house which the latter thinks of renting. I had never seen him ‘close to’ before and was a little disappointed in his looks” (Twichell, 1:102). His disappointment may have been in part evoked by a conversation that he, and possibly Clemens, had recently had with Bliss. In his journal entry for 13 May, Twichell noted that he and Clemens had spent that afternoon in New Haven,

carriage shopping and then to Prof. Marsh’s museum where he showed us bones and talked Evolution as long as we could stay. ’Twas very entertaining indeed. Returning home by the midnight train I fell in with Elisha Bliss, who gave me a full and funny account of all he had suffered as publisher from Bret Harte in the process of getting out of him a book he had contracted to write. (Twichell, 1:100)

The book, published in 1876 by the American Publishing Company, was Gabriel Conroy (see 5 July 75 to Howells, n. 4click to open letter, and, for details of Bliss’s difficulties with Harte, L5 , 134–35 n. 2). In addition to house hunting with Bliss, Harte probably requested one of the periodic advance royalty payments he depended on to meet his expenses. He did not rent a house in Hartford, however, but continued living with his family in Morristown, New Jersey, at a hotel kept by his brother-in-law, while traveling frequently to New York. In July the Hartes moved to Cohasset, Massachusetts, near the actor Stuart Robson, for whom Harte had agreed to write a comedy, Two Men of Sandy Bar (Scharnhorst 1992, 49–50, 53; Harte 1997, 110–14). Othniel Charles Marsh (1831–99), was America’s first professor of paleontology, holding that chair at Yale from 1866 until his death.

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