Explanatory Notes
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Apparatus Notes
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Chapter XXXVIII.
[begin page 321]
jim’s coat of arms.
Click the thumbnail to see the illustrated chapter heading
Chapter XXXVIII.emendation

Makingalteration in the MS them pens was a distressid toughhistorical collation job, and so was the saw; and Jim allowed the inscription was going to bealteration in the MS the toughest of all. That’semendation the one which the prisoner has to scrabble on the wall. But we had to have it; Tom said we’d got to:historical collation there warn’t no case of a state prisoner not scrabblingalteration in the MS his inscription to leave behind, and his coat of arms.

“Look at ladyhistorical collation Jane Grey,” he says; “look at Gilford Dudley; look at old Northumberlandexplanatory note!emendation Why, Huck, spose it is considerbleemendation trouble?—what you going to do?—how you going to get around it? Jim’s got to do his inscription and coat of arms. They all do.”

Jim says:

Whyemendation, marshistorical collation Tom, I hain’t got noalteration in the MS emendation coat o’ armsalteration in the MS; I hain’t gotalteration in the MS nuffnalteration in the MS emendation but dish-yerhistorical collation olealteration in the MS shirt, en you knowsalteration in the MS I got to keepalteration in the MS de journal on dat.”

Ohistorical collation, you don’t understand, Jim; a coat of arms is very different.”

“Well,” I says, “Jim’s right, anyway, when he says he hain’t got no coat of arms, because heemendation hain’t.”

“I reckon I knowed that,” Tom says, “but you bet he’ll have one before he goes out of this—because he’s going out right, and there ain’t going to be no flaws in his record.”

Soalteration in the MS whilst me and Jimalteration in the MS filed away at the pens on a brickbat apiece, Jim a makingemendation his’nalteration in the MS out of the brass and I making mine out of the [begin page 322] spoon, Tom set to work to think out the coat of armsexplanatory note.alteration in the MS By and byhistorical collation he said he’demendation struck so many good ones he didn’t hardlyalteration in the MS know which to take, but there was one which he reckoned he’demendation decide on. He says:

“On the scutcheon we’ll have a bend or in the dexter base, a saltire murrey in the fess, with a dog, couchantalteration in the MS, for common charge, and under his foot a chain embattled, for slavery, with a chevron vert in a chief engrailed, and three invected lines on a field azure, with the nombril points rampant on a dancette indented; crest, a runaway nigger, sable, with his bundle over his shoulder on a bar sinister;historical collation and aalteration in the MS couple of gules for supporters, which is you and me; motto, Maggiore fretta, minore atto explanatory note. Got it out of a book—means, the more haste, the less speed.”

“Geewhillikins,” I says, “but what does the rest of it mean?”

“We ain’t got no time to bother over that,” he says, “we got to dig in like all git-out.”

“Well, anyway,” I says, “what’semendation some of it? What’s a fess?”

“A fess—a fessalteration in the MS is—you don’t need to know what a fess is.emendation I’llalteration in the MS show him how to make it when he gets to it.”

“Shucks, Tom,” I says, “Iemendation think you might tell a person. What’s a bar sinister?”

“Oh, I don’t know. But he’s got to have it. All the nobility does.”

That was just his way. If it didn’t suit him to explain a thing to you, he wouldn’t do it. You might pump at him a week it wouldn’t make no difference.

He’d got all that coat of arms business fixed, so now he started in to finish up the rest of thatalteration in the MS part of the work, which was to plan out a mournful inscription—said Jim got to have one, like they all done. He made up a lot, and wrote them out on a paper, and read them off, so:emendation

1. Here alteration in the MS a captive heart busted.

2. Here a poor prisoner, forsook by the world and friends, fretted out his sorrowful life.

3. Here a lonely heart broke, and a worn spirit went to its rest, after thirty seven historical collation years of solitary emendation captivity.

4. Here, homeless and friendless, after thirty-seven years of bitter captivity, perished a noble stranger, natural son of Louis XIV emendation.

Tom’s voice trembled, whilstalteration in the MS he was reading them, and he most [begin page 323] broke down. When he got done, he couldn’t no way make up his mind which one foralteration in the MS Jim to scrabble ontoemendation the wall, they was all so good; but at last he allowed he would let him scrabble them all on. Jim said it would take him a year to scrabble such a lot of truck ontoemendation the logs with a nail,alteration in the MS and he didn’t know how to make letters, besides; but Tom said he would block them out for him, and then he wouldn’t have nothing to do but just follow the lines. Then pretty soon he says:

“Come to think, the logs ain’t agoing to do; they don’t have log walls in a dungeon: we got to digalteration in the MS the inscriptionsalteration in the MS into a rock. We’ll fetch a rock.”

Jim said the rock was worse than the logs; he said it would take him such a pison long time to dig them into a rock,emendation he wouldn’t ever get out. But Tom said he would let me help him do it. Then he took a lookalteration in the MS to see how me and Jim was getting along with the pens. It was most pesky tedious hard work and slow, and didn’t give my hands no show to get well of the sores, and we didn’t seem to make no headway, hardly. So Tom says:

“I know how to fix it. We got to have a rock for the coat of arms and mournful inscriptions, and we can kill two birds with thatalteration in the MS same rock. There’s a gaudy big grindstone down at the mill, and we’ll smouch it, andalteration in the MS carve the things on it, and file out the pens and the saw on it, too.”

It warn’t no slouch of an idea; andalteration in the MS it warn’t no slouch of a grindstone,historical collation nutheremendation; but we allowed we’d tackle it. It warn’t quite midnight, yet, so we cleared out for the mill, leaving Jim at work. We smouched the grindstone, and set out to roll heremendation homè, but it was a most nation tough job. Sometimes, do what we could, we couldn’t keep heremendation from falling over, and sheemendation come mighty near mashing us, every time. Tom said sheemendation was going to get one of us, sure, before we got through. We got her half way; and then we was plumb played out, and most drowndedalteration in the MS with sweat. We see it warn’t no use, we got to go and fetch Jim. So heemendation raised up his bed and slid the chain off ofalteration in the MS the bed-legalteration in the MS, and wrapt it round and round his neck, and we crawled out through our hole andalteration in the MS down there, and Jim and me laid into that grindstone and walked heremendation along like nothing; and Tom superintended.alteration in the MS He could out-superintend any boy I ever see. He knowed how to do everything.

[begin page 324]

a tough job.

Our hole was pretty big, but it warn’talteration in the MS big enough to get the grindstone through; but Jim heemendation took the pick and soon made it big enough. Then Tom marked out them things on it with the nail, and set Jimalteration in the MS to work on them, with the nail for a chisel and an iron bolt from the rubbage in the lean-toemendation for a hammer, and told him to work till the rest of his candle quit on him, and then he could go to bed, and hide the grindstone underalteration in the MS his straw tick and sleep on it. Then we helped him fix his chain back,historical collation on the bedleghistorical collation, and wasalteration in the MS ready for bed ourselves. But Tom thought of something, and says:

“You got any spiders in here, Jim?”

“No, sah, thanks to goodness I hain’temendation, marshistorical collation Tom.”

“All right, we’ll get you some.”

“But bless you, honey, I doanhistorical collation want none. I’s afeard un um. I jis’ ’semendation soon have rattlesnakesemendation aroun’.”

Tom thought a minute or two, and says:

“It’s a good idea. And I reckon it’s been done. It must a been done:historical collation it stands to reason. Yes, it’s a prime good idea. Where could you keep it?”

“Keep what, marshistorical collation Tom?”

[begin page 325] “Why, a rattlesnake.”

“De goodness gracious alive, marshistorical collation Tomalteration in the MS! Why, if dey was a rattlesnake to come in heah, I’d take en bust right out thoo dat log wall, I would, wid my head.”

“Why, Jim, you wouldn’t be afraid of it, after a little. You could tame it.”

Tame it!”

“Yes—easy enough. Every animal is grateful for kindness and petting, and they wouldn’t think of hurting a person that pets them. Any book will tell you that. You try—that’s all I ask; just try for two or three days. Why, you can get him so, in a little while, that he’llemendation love you; and sleep with you; and won’t stay away from you a minute;alteration in the MS and will let you wrap him round your neck and put his head in your mouth.”

Please, marshistorical collation Tom—doan’ talk so! I can’t stan’ it! He’d let me shove his head in my moufemendationferemendation a favor, hain’t it?alteration in the MS I lay he’d wait a pow’ful long time ’fo’ I ast him. En mo’ en dat, I doan’ want him to sleep wid me.”alteration in the MS

“Jim, don’t act so foolish. A prisoner’s got to have some kind of a dumb pet, and if a rattlesnake hain’t ever been tried, whyhistorical collation there’s more glory to be gained in youremendation being the first to ever try it thanemendation any other way you could ever think of to save your life.”

Whyemendation alteration in the MS, marshistorical collation Tom, I doan’ want no sich glory. Snake take ’nemendation bite Jim’s chin off, den whah is de glory? Noalteration in the MS, sah, I doan’alteration in the MS want no sich doin’semendation.”

“Blame it, can’t you try? I only want you to tryemendation—you needn’t keep it up if it don’t work.”

“But de trouble all done, ef de snake bite me whileemendation I’s a-tryin’historical collation him. Mars Tom, I’s willin’ to tackle mos’alteration in the MS anything ’atalteration in the MS ain’t onreasonable, but ef you en Huck fetches a rattlesnake in heah foralteration in the MS me to tame, I’salteration in the MS gwyne to leave, dat’s shore.

“Well, then, let it go, let it go, if you’re so bullheaded about it. We can get youalteration in the MS some garter-snakes and you canalteration in the MS tie some buttons on their tails, and let on they’re rattlesnakes, and I reckon that’ll have to do.”

“I k’nemendation stan’ dem, marshistorical collation Tomalteration in the MS, but blame’ ’femendation I couldn’ githistorical collation along widout um, I tell you dat. I never knowed,historical collation b’fo’emendation, ’temendation was so much bother and trouble to be a prisoner.”

[begin page 326]

buttons on their tails.

“Well, it always is, when it’s done right. You got any rats around here?”

“No, sah, I hain’t seed none.”

“Well, we’ll get you some rats.”

“Why, marshistorical collation Tom, I doanhistorical collation want no rats. Dey’s de dad-blamedestemendation creturs to ’sturb a body, en rustleemendation roun’ over ’imemendation, en bite his feet, when he’s tryin’ to sleep, I ever see. No, sahalteration in the MS, gimme g’yarter snakeshistorical collation, ’femendation I’s got to have ’m, but doan’ gimme no rats, I ain’ got no use f’remendation um, skasely.”

“But Jim, you got to have ’em,historical collation—they all do. So don’t make no more fuss about it. Prisoners ain’t ever without ratsexplanatory note. There ain’t no instance of it. And they train them, and pet them, and learn them tricks, and they get to be as sociable as flies.alteration in the MS But you got to play music to them. You got anything to play music on?”

“I ain’alteration in the MS got nuffnalteration in the MS but a coase comb en a piece o’ paper, en a juice-harp; but I reck’nemendation dey wouldn’ take no stock in a juice-harpemendation.”

Yesalteration in the MS they would. They don’t care what kind of music ’tis. A jewsharp’shistorical collation plenty good enough for a rat.alteration in the MS All animals likes music—in a prison;historical collation they dote on it. Speciallyalteration in the MS emendation, painfulalteration in the MS music; and you can’t getalteration in the MS no other kind out ofalteration in the MS a jewsharpemendation. Italteration in the MS always interests them; they come out to see what’s the matter with you.alteration in the MS Yes, you’re all right; you’re fixedalteration in the MS very well. You want to set on your bed, nights, before you go to sleep, and early in the mornings, and play your jewsharphistorical collation; play The Last Link is Broken—that’s the thing that’ll scoopalteration in the MS a rat, [begin page 327] quicker’n anything else: and when you’ve played about two minutes, you’ll see all the rats, and the snakes, and spidersalteration in the MS, and things begin to feel worried about you,alteration in the MS and come. And they’ll just fairly swarm over you, and havealteration in the MS a noble good time.”

“Yes, dey will, I reck’n,alteration in the MS emendation marshistorical collation Tom, but what kine er time is Jim havin’?alteration in the MS Blest if I kin see de pint. But I’ll do it,historical collation ef I got to. I reck’nemendation I better keep de animalsalteration in the MS satisfied, en not have no trouble in de house.”

Tom waited to think over, and see if there wasn’talteration in the MS nothingemendation else; and pretty soon he says:

“Oh—there’s one thing I forgot. Could you raise a flower here, do you reckon?”

“I doan’ know but maybe I could, marshistorical collation Tom; but it’s tolable dark in heah, en Ialteration in the MS ain’ got no use f’remendation no flower, nohow,alteration in the MS en she’d be a powfulhistorical collation sight o’alteration in the MS trouble.”

“Well, you try it, anyway. Some otheralteration in the MS prisoners has done it.”

“One er dem big cat-tail-lookin’ mullen-stalks would grow in heah, marshistorical collation Tom, I reck’nemendation, but she wouldn’ be wuth half de trouble she’d coss.”

“Don’t you believe it. We’ll fetch you a little one, and you plant it in the corner, overalteration in the MS there, and raise it.alteration in the MS And don’t call it mullen, call it Pitchiolaexplanatory note—that’s its right name, when it’s in a prison. And you wantalteration in the MS to water it with your tears.”

“Why, I got plenty spring water, marshistorical collation Tom.”

“You don’t want alteration in the MS spring water; you want to water it with your tears. It’s the way they always do.”

irrigation.

[begin page 328] Whyhistorical collation marshistorical collation Tom, I lay I kin raise one er dem mullen-stalks twyste wid spring water whiles another man’s a start’nhistorical collation one wid tears.”

“That ain’t the idea. You got to do it with tears.”

“She’ll die on my han’s, marshistorical collation Tom, she sholy will; kasealteration in the MS emendation I doan’emendation skasely ever cry.”

So Tom was stumped. But he studied italteration in the MS over, and thenalteration in the MS said Jim would have to worry along the best he could with an onion. He promised he would go to the nigger cabins andalteration in the MS drop one, private, in Jim’s coffee pothistorical collation, in the morning. Jim said he would jis’ ’semendation soon have tobacker in his coffee;”alteration in the MS and found so much fault with it, and with the work and bother of raising the mullen, and jewsharpinghistorical collation the rats, and pettingalteration in the MS and flattering up the snakes and spidersalteration in the MS and things, on top of all the other work healteration in the MS had to do on pens, and inscriptions, and journals, and things, which made it more trouble and worry and responsibility to be a prisoner than anything he ever undertook, that Tom most lost all patience with him; and said he wasemendation just loadenedemendation down with more gaudier chances than a prisoner ever had in the world to make a name for himself, and yet he didn’t know enough to appreciate them, and they was just about wasted on him. So Jim he was sorry, and said he wouldn’t behave so no more, and then me and Tom shoved for bed.

Historical Collation Chapter XXXVIII.
  distressid tough (MS2)  ●  distressid- | tough (A) 
  to: (MS2)  ●  to; (A) 
  lady (MS2)  ●  Lady (A) 
  mars (MS2)  ●  Mars (A) 
  dish-yer (MS2)  ●  dish- | yer (A) 
  O (MS2)  ●  Oh (A) 
  By and by (MS2)  ●  By-and-by (A) 
  sinister; (MS2)  ●  sinister: (A) 
  thirty seven  (MS2)  ●  thirty- | seven  (A) 
  grindstone, (MS2)  ●  grindstone  (A) 
  back, (MS2)  ●  back  (A) 
  bedleg (MS2)  ●  bed-leg (A) 
  mars (MS2)  ●  Mars (A) 
  doan (MS2)  ●  doan’ (A) 
  done: (MS2)  ●  done; (A) 
  mars (MS2)  ●  Mars (A) 
  mars (MS2)  ●  Mars (A) 
  mars (MS2)  ●  Mars (A) 
  why (MS2)  ●  why, (A) 
  mars (MS2)  ●  Mars (A) 
  a-tryin’ (MS2)  ●  a tryin’ (A) 
  mars (MS2)  ●  Mars (A) 
  git (MS2)  ●  get (A) 
  knowed, (MS2)  ●  knowed  (A) 
  mars (MS2)  ●  Mars (A) 
  doan (MS2)  ●  doan’ (A) 
  g’yarter snakes (MS2)  ●  g’yarter-snakes (A) 
  ’em, (MS2)  ●  ’em (A) 
  jewsharp’s (MS2)  ●  jew-sharp’s (A) 
  prison; (MS2)  ●  prison  (A) 
  jewsharp (MS2)  ●  jews- | harp (A) 
  mars (MS2)  ●  Mars (A) 
  it, (MS2)  ●  it  (A) 
  mars (MS2)  ●  Mars (A) 
  powful (MS2)  ●  pow’ful (A) 
  mars (MS2)  ●  Mars (A) 
  mars (MS2)  ●  Mars (A) 
  Why (MS2)  ●  Why, (A) 
  mars (MS2)  ●  Mars (A) 
  start’n (MS2)  ●  start’n (A) 
  mars (MS2)  ●  Mars (A) 
  coffee pot (MS2)  ●  coffee-pot (A) 
  jewsharping (MS2)  ●  jews-harping (A) 
Editorial Emendations Chapter XXXVIII.
  Chapter XXXVIII. (A)  ●  not in (MS2) 
  That’s (A)  ●  That is (MS2) 
  Northumberland! (A)  ●  Northumberland. (MS2) 
  considerble (A)  ●  considerable (MS2) 
  Why (A)  ●  W’y (MS2) 
  hain’t got no (A)  ●  ain’ got no (MS2) 
  hain’t got nuffn (A)  ●  ain’ got nuffn (MS2) 
  hain’t (A)  ●  haint (MS2) 
  a making (A)  ●  making (MS2) 
  he’d (A)  ●  he had (MS2) 
  he’d (A)  ●  he would (MS2) 
  what’s (A)  ●  What’s (MS2) 
  is. (A)  ●  is: (MS2) 
  Tom,” I says, “I (A)  ●  Tom, I (MS2) 
  so: extra line space  (C)  ●  so: no extra line space  (MS2 A) 
  solitary  (A)  ●  solitry  (MS2) 
  Louis XIV. extra line space  (A)  ●  Louis XIV. no extra line space  (MS2) 
  onto (A)  ●  on (MS2) 
  onto (A)  ●  on (MS2) 
  rock, (A)  ●  rock, that (MS2) 
  nuther (A)  ●  neither (MS2) 
  her (A)  ●  it (MS2) 
  her (A)  ●  it (MS2) 
  she (A)  ●  it (MS2) 
  she (A)  ●  it (MS2) 
  So he (A)  ●  He (MS2) 
  her (A)  ●  it (MS2) 
  he (A)  ●  not in  (MS2) 
  lean-to (A)  ●  lean- | to (MS2) 
  hain’t (A)  ●  haint (MS2) 
  jis’ ’s (A)  ●  jis’ as (MS2) 
  rattlesnakes (A)  ●  a rattlesnake (MS2) 
  he’ll (A)  ●  he will (MS2) 
  mouf (A)  ●  mouth (MS2) 
  fer (A)  ●  for (MS2) 
  your (A)  ●  you (MS2) 
  than (A)  ●  than in (MS2) 
  Why (A)  ●  W’y (MS2) 
  ’n (A)  ●  en (MS2) 
  doin’s (A)  ●  doins (MS2) 
  try (A)  ●  try it (MS2) 
  while (A)  ●  whiles (MS2) 
  k’n (A)  ●  kin (MS2) 
  ’f (A)  ●  if (MS2) 
  b’fo’ (A)  ●  befo’ (MS2) 
  ’t (A)  ●  it (MS2) 
  dad-blamedest (A)  ●  dad- | blamedest (MS2) 
  en rustle (A)  ●  and rustle (MS2) 
  ’im (A)  ●  him (MS2) 
  ’f (A)  ●  if (MS2) 
  f’r (A)  ●  for (MS2) 
  reck’n (A)  ●  reckon (MS2) 
  juice-harp (A)  ●  juice- | harp (MS2) 
  Specially (A)  ●  Speshaly (MS2) 
  jewsharp (C)  ●  jews- || harp (MS2)  jews- | harp (A) 
  reck’n (A)  ●  reckon (MS2) 
  reck’n (A)  ●  reckon (MS2) 
  nothing (A)  ●  anything (MS2) 
  f’r (A)  ●  for (MS2) 
  reck’n (A)  ●  reckon (MS2) 
  kase (A)  ●  kaze (MS2) 
  doan’ (A)  ●  don’t (MS2) 
  jis’ ’s (A)  ●  jis’ as (MS2) 
  he was (A)  ●  here he was, (MS2) 
  loadened (A)  ●  loaded (MS2) 
Alterations in the Manuscript Chapter XXXVIII.
 Making] written over wiped-out ‘Them’.
 going to be] interlined.
 scrabbling] follows canceled ‘leaving’.
 hain’t got no] the MS reads ‘ain’ got no’ (emended); originally ‘ain’t’; ‘t’ canceled.
 o’ arms] originally ‘er arms’; ‘er’ canceled, and ‘no’ interlined; then in pencil ‘no’ canceled, and ‘o’’ interlined.
 got] added in pencil.
 nuffn] interlined above canceled ‘noth’n’.
 ole] interlined.
 knows] the ‘s’ added.
 keep] interlined above canceled ‘do’.
 So] follows canceled [¶] ‘So whil’ which was written over [¶] ‘So he set’.
 me and Jim] interlined above canceled ‘we’.
 his’n] originally ‘hisn’’; an apostrophe canceled following ‘n’ and added following ‘s’.
 arms.] originally ‘arms for Jim.’; ‘for Jim.’ canceled, and the period added following ‘arms’.
 hardly] interlined.
 couchant] originallycouchant’; the underline canceled.
 sinister; and a] originally ‘sinister; a’; ‘with’ interlined before ‘a’; then ‘with’ canceled, and ‘and’ interlined.
 —a fess] follows canceled ‘is’.
 I’ll] originallyI’ll’; the underline canceled in pencil.
 of that] ‘of’ interlined.
 1. Here] ‘1.’ written over wiped-out ‘H’.
 whilst] ‘i’ added.
 for] follows canceled ‘to’.
 nail,] the comma replaces a wiped-out semicolon.
 dig] follows canceled ‘have’.
 the inscriptions] originally ‘them’; ‘m’ canceled and ‘inscriptions’ interlined.
 took a look] interlined above canceled ‘come over’.
 that] the first ‘t’ written over a partly formed letter.
 we’ll smouch it, and] originally ‘we steal it, and’; ‘ ’ll’ interlined following ‘we’; then in pencil ‘steal it, and’ canceled and ‘smouch it, and’ added to the interlineation.
 and] interlined above canceled ‘but’.
 drownded] originally ‘drowned’; ‘ded’ written over wiped-out ‘ed’.
 of] interlined.
 bed-leg] ‘bed-’ interlined.
 crawled . . . hole and] interlined above canceled ‘went’.
 superintended.] originally ‘superintend.’; ‘ed’ interlined.
 warn’t] originally ‘wasn’t’; ‘r’ written over ‘s’.
 Jim] interlined above canceled ‘Tom’.
 under] follows canceled ‘under the bed or in the hole, whichever was best.’
 and was] follows canceled ‘and went off to bed ourselves.’
 Tom] interlined above canceled ‘Sid’.
 and sleep . . . minute;] ‘and won’t . . . minute;’ interlined; ‘and sleep with you;’ added to the interlineation in pencil.
 it?] followed by a canceled dash; the question mark possibly squeezed in.
 him. En . . . me.”] originally ‘him.” ’ the quotation marks canceled, and ‘En . . . me.” ’ squeezed in.
 “Why] the MS reads ’“W’y’ (emended); originally ‘ “Why’; ‘W’’ written over wiped-out and canceled ‘Wh’.
 No] originally ‘No’; the underline canceled.
 I doan’] originallyI doan’’; the underline canceled.
 mos’] interlined.
 ’at] interlined following canceled ‘dat’, which was interlined above canceled ‘that’; all revisions in pencil.
 for] follows canceled ‘fo’’.
 tame, I’s] interlined in pencil above canceled ‘practice on, I’s’.
 get you] ‘you’ written over ‘s’.
 you can] interlined.
 Tom] written over wiped-out ‘Huc’.
 sah] ‘ah’ written over wiped-out ‘h’.
 flies.] ‘muskeeters.’ interlined above in ink, presumably as an alternative reading, and later canceled in pencil.
 ain’] originally ‘ain’t’; ‘t’ canceled.
 nuffn] interlined above canceled ‘noth’n’.
 Yes] followed by a canceled comma.
 rat.] followed by canceled ‘You want to set on your’.
 Specially,] the MS reads ‘Speshaly,’ (emended); originally ‘Speshally,’; the second ‘l’ canceled in pencil.
 painful] follows ‘mournful music,’ canceled in pencil.
 et] interlined above canceled ‘make’.
 out of] interlined above canceled ‘on’.
 It] originally ‘Its’; ‘s’ wiped out.
 what’s . . . you.] interlined in ink above canceled ‘what you’re doing to yourself.’, which was interlined in pencil to replace canceled ‘what’s the matter with you.’
 fixed] followed by a comma canceled in pencil.
 scoop] interlined above canceled ‘fetch’.
 spiders] ‘d’ written over ‘r’.
 feel . . . about you,] interlined in ink over uncanceled ‘weaken’, which was interlined in pencil without a caret following canceled ‘throw up the sponge’.
 and have] ‘and’ interlined above canceled ‘and you’ll’.
 will, I reck’n,] the MS reads ‘will, I reckon,’ (emended); interlined in pencil above canceled ‘is,’.
 havin’?] originally ‘havin’ in de meantime?” ’; the quotation marks canceled in ink; ‘in de meantime?’ canceled in pencil and the question mark added in pencil following ‘havin’’.
 animals] originally ‘ani- | mles’; ‘mals’ follows canceled ‘mles’.
 wasn’t] originally ‘was a’; ‘n’t’ written over wiped-out ‘a’.
 en I] ‘en’ written over wiped-out ‘and’.
 nohow,] interlined in pencil.
 sight o’] interlined in pencil above canceled ‘lot o’’.
 other] interlined in pencil.
 over] interlined in pencil.
 raise it.] followed by canceled quotation marks.
 want] follows canceled ‘want to get up just at early daylight, every morning,’.
  want] originally ‘wat’; ‘nt’ written over ‘t’ and the underline added.
 kase] the MS reads ‘kaze’ (emended); originally ‘kase’; ‘z’ written over ‘s’.
 it] interlined.
 then] interlined.
 go to . . . cabins and] interlined in pencil.
 “jis’ . . . coffee”] the quotation marks added; ‘jis’’ originally ‘just’; ‘u’ mended to ‘i’; the apostrophe added above canceled ‘t’; all revisions in pencil.
 petting] follows canceled ‘flattering’.
 spiders] followed by a comma canceled in pencil.
 he] written over wiped-out ‘on’.
Explanatory Notes Chapter XXXVIII.
 lady Jane Grey . . . Dudley . . . Northumberland] William Harrison Ainsworth’s popular romance, The Tower of London (1840), recounts the story of Lady Jane Grey (1537–54), her husband Lord Guildford Dudley (d. 1554), and her father-in-law, the duke of Northumberland (1502?–53), whose plot to secure the succession to the throne resulted in her reigning for nine days after Edward VI’s death in 1553. All three were imprisoned in the Tower and eventually beheaded. In book 2, chapter 7, Northumberland is described “putting the finishing touches to a carving on the wall. . . . This curious sculpture . . . contains his cognizance, a bear and lion supporting a ragged staff surrounded by a border of roses, acorns and flowers intermingled with foliage.”
 coat of arms] Tom’s design is described in a hodge-podge of sometimes colliding, though for the most part authentic, heraldic terms (see Birchfield, 15–16). Kemble’s illustration on page 320 ingeniously incorporates most of the elements.
  Maggiore fretta, minore atto] Literally, “More haste, less action.”
 Prisoners ain’t ever without rats] Casanova complained of the huge rats in his prison, but Baron Trenck tamed a mouse and taught it to play with him (Olin Harris Moore, 334).
 Pitchiola] Picciola (1836) by Joseph Xavier Boniface Saintine. In this highly sentimental novel, a prisoner carefully nurtures a plant and becomes obsessed with its survival; the watering with tears is Mark Twain’s embellishment.