Explanatory Notes
Apparatus Notes
MTPDocEd
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7. Historical Exhibition—A No. 1 Ruse
16 September 1852

“Historical Exhibition” is one of three features written by “W. Epaminondas Adrastus Blab” for the Hannibal Journal of 16 September 1852, the issue that Clemens edited in his brother's absence.1

No doubt the most famous “sell” described in Clemens' writings is “The King's Camelopard or the Royal Nonesuch,” performed by the king and the duke in Bricksville, Arkansas (chapter 23 of Huckleberry Finn). By comparison, the youthful “Historical Exhibition” is a diffuse and mannered tale. Like the Royal Nonesuch, to which “ladies and children” were not admitted, Abram Curts's exhibition attracts the young and curious by offering something vaguely sexual: the “bony part” crossing the rind is typical countrystore phallic humor. But the handling of the tale is somewhat unsure, and the ending flat, probably because Jim's embarrassment and Curts's gloating are drawn out a little too long.

Nevertheless, the tale is evidence of Clemens' early impulse to write realistic fiction. It is his initial attempt to draw individualized characters, rather than stereotypes like the Dandy, and the yarn it tells is obviously based foursquare on a local event and real people. Curts, who dodges responsibility for the “sell” with all the agility of Flem Snopes in Faulkner's The Hamlet, was a partner in the dry goods and grocery firm of Curts and Lock-wood, and a perennial candidate for city marshal of Hannibal.2 “Jim C——” may have been Clemens' Hannibal friend James H. Collins, whose name is recorded in Clemens' 1855 notebook and also appears, as does Clemens', on the roster of the Hannibal Cadets of Temperance compiled about 1850.3

Editorial Notes
1 The two others—“Editorial Agility” and “Blabbing Government Secrets!”—are scheduled to appear in the collection of social and political writings in The Works of Mark Twain. The latter is reprinted in MTSM , pp. 117–118.
2  LAMT , p. 273 n. 21.
3  N&J1 , p. 33.
Textual Commentary

The first printing appeared in the Hannibal Journal for 16 September 1852 (p. 2). The only known copy of this printing, in MoHist, is copy-text. Since Clemens was in charge of the paper he may have typeset and proofread the sketch.

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Historical Exhibition—A No. 1 Ruse

A young friend gives me the following yarn as fact, and if it should turn out to be a double joke, (that is, that he imagined the story to fool me with,) on his own head be the blame:

It seems that the news had been pretty extensively circulated, that Mr. Curts, of the enterprising firm of Curts & Lockwood, was exhibiting at their store, for the benefit of the natives, a show of some kind, bearing the attractive title of “Bonaparte crossing the Rhine,” upon which he was to deliver a lecture, explaining its points, and giving the history of the piece, the price being”“one dime per head, children half price.” Well, the other day about dusk, a young man went in, paid his dime,“saw the elephant,”explanatory note and departed, apparently “with a flea in his ear,” but the uninitiated could get nothing out of him on the subject; he was mum—had seen the varmint, and that was the full extent of the information which could be pumped out of him by his enquiring friends.

Well, everybody who saw the sight seemed seized with a sudden fit of melancholy immediately afterwards, and dimes began to grow scarce. But pretty soon Jim C——, with a crowd of eager boys at his heels, was seen coming down the street like half a dozen telegraphs. They arrived at the store, gasping and out of breath, and Jim broke out with:

“Mr. Curts—want—to see—that—show! What's— price!”emendation textual note

“Oh, we let boys see it at half price—hand out your five cents.”

Jim had got done blowing by this time, and threw down his money in as great a hurry as if life and death depended upon the speed of his movements, saying:

[begin page 80]

“Quick! Mr. Curts, I want to see it the worst kind.”

“Yes, Oh yes; you want to see ‘Bonaparte crossing the Rhine,’ do you,” said Abram, very deliberately.

“Yes, that's it—that's what I want to see,” said Jim, who was so anxious to see the show that he could scarcely stand still.

“Well, you shall see it,” said the worthy exhibitor, with a wise look, at the same time dropping the five cents into the money drawer, “and I hope by this show to impress upon your young minds, this valuable piece of history, and illustrate the same in so plain a manner that the silliest lad amongst you will readily comprehend it.”

The juvenile audience was now breathless with expectation, and crowded around with eager looks, and not the slightest movement on the part of the learned lecturer was overlookedemendation by them, as he drew from a drawer a piece of bone about three inches long, and holding it up before the wondering boys, he slowly and deliberately commenced his lecture, or explanation:

“My young friends, you now perceive——”

“Yes sir,” interrupted Jim with mouth, eyes and ears wide open.

“As I was saying,” continued Mr. Curts, “you now see before you the ‘Bonaparte’—the ‘Bony-part,’ you understand, the ‘bony part’ of a hog's leg (house shakes with laughter from the crowd which had now assembled, but Jim did not join in the general merriment, but looked very sober, seeming to think there was very little about it to laugh at, at least on his side) yes, boys,” said Abram, as grave and solemn as a judge about to pass sentence, “this is the bony-part of a hog's leg.”

“Is-is a-a-that all!” gasped poor Jim, beginning to look blue about the gills.

“Oh no,” said the lecturer, “this is merely a part of the exhibition,” and he took from a shelf a piece of meat skin about as large as a piece of paper i. e. the size of a dollar bill, and presenting it to view he proceeded with the lecture.

“Now, my young hearers, this you see is the ‘Rhine’—yes,” he continued, as solemnly as before, “this is the ‘Rhine,’—properly speaking, the hog's rind—a piece of hog's rind.”emendation

When the laugh had subsided, Mr. C. again went on with the explanation:

“Now, young gentlemen, draw near and give me your attention a moment, for this is the most interesting part of the exhibition,” and [begin page 81] old Abram looked and spoke, if possible, still more wise and solemn than before; then slowly passing the piece of bone back and forth across the skin, he said, “you see, boys this is the ‘bony part crossing the rind,’ very lucidly explained—yes, (drawing his bone across again with the most imperturbableemendation gravity imaginable, amid the roars of laughter) this sir, is, I may be allowed to say, a very apt illustration of that noted event in history, ‘Napoleon crossing the Rhine.’ You have now learned a valuable lesson——”

“Yes!” broke in Jim “I have that, but it's the last one you'll ever learn me—(laughter) you're nothing but an old swindler, anyhow—(renewed laughter, which somewhat riled our hero) yes, this is a swindling shop and a swindling show, and you don't do nothing but swindle people.”

The laugh now became so universal, that poor Jim had to force a laugh and a “don't care” look, as he continued:

“I don't care, laugh, jest as much as you please—I ain't particularemendation about the money, nohow; I know'd it was a swindle, 'fore I come down (a piece of knowledge which Jim, in the excitement had before unfortunately forgotten that he ever possessed,) yes I knowed it, and I jest come down for devilment—but I don't care, you can keep the money, I ain't particular about it (Jim seemed particularly anxious to impress this important fact upon the mind of the lecturer)—cause I know you need it worse'n I do, when you can swindle a feller out of it that way.”

The crowd now laughed till they were completely exhausted, and Jim's face slowly relaxed from the ludicrous expression it had worn for a time. He now looked as if he had been suddenly bereft of every relation he had in the world—his face became lengthened to an alarming extent, and upon the said countenance the most woe-begone look settled, mingled with a most “sheep-stealing” expression; he was now in a profound reverie, seemingly entirely unconscious of the jeers cast at him by the company. But Abram now broke in upon his meditations, and although he too had been enjoying his joke with a hearty laugh, he immediately assumed his former solemn look and grave tone, and thus addressed the cheap-looking“seeker after knowledge under difficulties.”explanatory note

“Young man, you have now learned an important historical lesson, and are no doubt well pleased with it. I am anxious, however —ahem!—I am anxious, as I before remarked, that you should be [begin page 82] entirely satisfied with the exhibition—if you did not understand it in its minutest details—if the illustration was not sufficiently lucid, and everything has not been exhibited to your entire satisfaction, I beg of you, my friend, to make it known; and if it has met with favor in your eyes, I shall hold myself under the greatest of obligations, (with a profound bow,) if you will use your influence in forwarding the cause of learning and knowledge, (another bow,) by inviting your friends to step in when they pass this way. What, may I ask, is your opinion of the exhibition?”

Poor Jim! He seemed not to have heard a word that had been spoken; but, with his eyes bent steadfastly upon some object that wasn't there, he moved not a muscle for the space of a minute, when, opening his lips, he slowly ejaculated the few, but significant words “Sold!—cheap- - -as- - -dirt!”

And striding out of the house he marched down the street in a profound fit of mental abstraction.

Since the above occurrence, if any one speaks to Jim, or asks him a question, he merely mutters “Bonaparte crossing—sold!”

Mr. Curts told one of Jim's companions to say to him, that his exhibition was merely an agency—that a noted wholesale firm of this city were the proprietors of the concern, that the apparatus belonged to them, that if Jim did not think his money well spent, they would in all probability refund it—but that being himself merely an agent, he did not feel authorized to do so.

W. Epaminondas Adrastus Blab.

Editorial Emendations Historical Exhibition—A No. 1 Ruse
  price!” (I-C)  •  price!
  overlooked (I-C)  •  overlookod
  rind.  (I-C)  •  rind.”
  imperturbable (I-C)  •  imperturable
  particular (I-C)  •  partciular
Textual Notes Historical Exhibition—A No. 1 Ruse
 price!”] Standard practice calls for a question mark instead of an exclamation point here, but the punctuation of the copy-text causes no real difficulty and is evidently deliberate. Compare the same practice at 80.26: “Is-is a-a-that all!”
Explanatory Notes Historical Exhibition—A No. 1 Ruse
 “saw the elephant,”] Saw the world, or gained knowledge by new experience: “the cost is oftentimes understood to be more than the thing is worth” (John S. Farmer, Americanisms—Old & New: A Dictionary of Words, Phrases and Colloquialisms [London: Thomas Poulter & Sons, 1889], p. 224).
 “seeker after knowledge under difficulties.”] In chapter 33 of Dickens' The Posthumous Papers of the Pickwick Club, Tony Weller sees his son Sam writing a valentine at the Blue Boar pub and asks: “But wot's that, you're a-doin' of—pursuit of knowledge under difficulties—eh Sammy?”