Explanatory Notes
Apparatus Notes
MTPDocEd
[begin page 197]
[“ANSWERS TO CORRESPONDENTS” IN THE CALIFORNIAN]
§ 108. Answers to Correspondents
24 June 1865

Clemens' fourth column for the Californian attacked boorish ostentation and sentimental notions of children. It continued his response to the Dutch Flat poetry hoax, begun in no. 106, and it ridiculed the practice of making accusations of disloyalty to the Union on scant grounds: Clemens' former editor, Charles Henry Webb, had recently suffered from such a charge at the hands of the press, and Clemens, as a son of Missouri, was always in danger of experiencing it in person.

Clemens worked his way around to this touchy subject by referring, in “True Son of the Union,” to a political wrangle that had been resolved six weeks earlier, but had been alluded to by the San Francisco Morning Call just one week before his column appeared.1 Briefly, the appointment of the San Francisco collector of customs from August 1863 until November 1865, Charles James, had been widely regarded as political patronage and attributed to the influence of Senator John Conness. Sometime in early 1865, James became involved in a controversy over his discharge of Samuel Pillsbury, a customs employee. Pillsbury had alleged, in protesting his dismissal to the secretary of the treasury, that he was fired when he voted for a slate of unpledged delegates to the Union State Convention rather than support the delegates pledged to Senator Conness. Because the delegates to this convention nominated candidates for the state legislature, which in turn selected senatorial candidates, James was open to the charge of “Senator-making.” This accusation was supported by the fact that the secretary of the treasury had reinstated Pillsbury in early May 1865.2

[begin page 198]

Clemens began his piece by quoting the letter from “A New England Mechanic” to the Call, which criticized the “worthy Collector.” He then dismissed it with bemused contempt, noting “how quibbling and fault-finding breed in a land of newspapers,” and went on to print an obviously fictional complaint that he had “intercepted” on its way to the office of another local paper, the “Flaming Loyalist.” This document explicitly transforms failure to observe the anniversary of the battle of Bunker Hill into an act of treason—an absurdity that Clemens finally answers with a rhetorical question: “If the oriental artisan and the sentinel agriculturalist held the offices of these men, would they ever attend to anything else but the flag-flying and gin-soaking outward forms of patriotism and official industry?”

This invented case must have seemed familiar to readers of the Californian, for on March 18, Webb had publicly answered a charge of disloyalty from the Marysville (Calif.) Appeal of March 12, which had said: “The editor of the Californian is as bitter a Copperhead as ever went unhung. . . . The editor of the Californian, like the editor of the Express, is loyal to the Southern Conthieveracy, loyal to the rebellion, and loyal to anything in opposition to our Government.” Webb's answer, published in the editorial columns of his magazine, said in part:

A better illustration of the reckless journalism we have so often taken occasion to deprecate and denounce could not be desired. We do not know the editor of the Appeal, even by name; have never seen him to our knowledge, and certainly have never interchanged political views with him. Yet he, without the slightest warrant, takes occasion to denounce “the editor of The Californian” as “as bitter a Copperhead as ever went unhung!” This is scarcely courteous; we would characterize the assertion as untruthful by the only English word which befits it, were it not that we are opposed to bandying those words in print which men very seldom speak to each other, and never except to inflict a brand which is more disgraceful than a blow. Our friends in this city are well acquainted with our political sentiments, and we do not care to explain them to every stranger who chooses to arraign us. The Californian in its course has always been consistently and unequivocally loyal. . . . The present editor . . . has never uttered or written a treasonable word in his life, and all his friends and associates know him to be utterly and thoroughly Union in feeling and expression; he can point with equal pride to the fact that he never has stood in the market place, vaunting his own loyalty while causelessly questioning that of his neighbor, and clamoring to be rewarded for the simple performance of his duty in giving all his efforts and energies to the preservation of the Nation's integrity.3

[begin page 199]

The editors of the Call promptly came to Webb's assistance, stating that the Appeal editor was “entirely mistaken,” that Webb's “record, not only in this State but the Atlantic States, forbids such a conclusion,” and that “the falsehood was first sent abroad by a city reporter, and has been copied with relentless fidelity by the interior press.”4 The San Francisco Dramatic Chronicle teased Webb about his angry reaction, saying that he encroached “upon the province of omnipotence, by insane attempts to manufacture ‘Things’ out of ‘nothings,’ ” a reference to Webb's column (“Things”) in the Californian. On March 25 Webb alluded to this joke in his column, but the matter was obviously quite serious for him.5 The situation was certainly not improved by what followed: Lincoln was assassinated on April 14, and Webb retired from the editorship of the Californian the next day. None of this, we may be sure, was lost on Clemens, who nevertheless waited until late June to make his own comments on the matter, contained here in “True Son of the Union.”

Clemens used only three sections of this column—“Socrates Murphy,” “Arithmeticus,” and “Young Mother”—to help make up the composite “Answers to Correspondents” sketch for the 1867 Jumping Frog book, revising them in the Yale Scrapbook. “True Son of the Union” was omitted, probably because it seemed both dated and topical in January or February 1867.

Editorial Notes
1 “Battle of Bunker Hill,” San Francisco Morning Call, 18 June 1865, p. 1.
2 “No Yoke in the Custom House,” San Francisco Evening Bulletin, 8 May 1865, p. 2; “Candidates for United States Senator,” ibid., 17 June 1865, p. 2.
3 “A Good ‘Goak,’ ” Marysville (Calif.) Appeal, 15 March 1865, p. 2; “Representative Reckless Journalism,” Californian 2 (18 March 1865): 1.
4 Quoted in “A Good ‘Goak,’ ” Marysville (Calif.) Appeal, 19 March 1865, p. 2.
5 “Not So,” San Francisco Dramatic Chronicle, 20 March 1865, p. 2; “Things,” Californian 2 (25 March 1865): 1. Webb had been suspected of disloyalty before, as Franklin Walker points out (San Francisco's Literary Frontier [Seattle and London: University of Washington Press, 1939], pp. 183–184). His immediate problems probably stemmed from some irreverent remarks about Lincoln in recent Californian editorials like “The President's Message” and “The President's Inaugural” (Californian 2 [10 December 1864]: 8; 2 [11 March 1865]: 8). In the latter he had said: “Coming from the pen of one who is certainly more noted for puns than for piety, it [the inaugural address] suggests the idea of burlesque.” On April 8 and 15, after the capture of Richmond, he published two editorials that show his concern over the Appeal's charge of disloyalty. See “Victory! Victory!” and “The Uses of Victory,” Californian 2 (8 April 1865): 8; 2 (15 April 1865): 8.
Textual Commentary

The first printing in the Californian 3 (24 June 1865): 4 (Cal) is copy-text for all but the item Mark Twain quotes from the San Francisco Morning Call, 18 June 1865, p. 1 (MC), which is copy-text from 200.7 through 200.16, and the article he quotes from the San Francisco Dramatic Chronicle, 20 June 1865, p. 2 (DC), which is copy-text from 207.3 through 207.8. Collation suggests that a transcription of MC and a clipping of DC were probably part of Mark Twain's manuscript. Some of the minor corrections and revisions of the quoted material were presumably introduced by him and are adopted here as needed emendations of MC and DC from Cal. Since not all variants between Cal and the material quoted are adopted, however, a historical collation of these texts is provided. Copies: Bancroft (Cal); PH from Yale (Cal); PH of the Yale Scrapbook, pp. 21–22 (Cal); PH from Bancroft (MC and DC).

Reprintings and Revisions. Mark Twain revised clippings of this sketch and four similar sketches from the Californian (nos. 105–109) in the Yale Scrapbook (YSMT), rejecting portions of each and revising others to assemble a composite sketch for JF1. Only one portion of the present sketch, from the title through 202.31 (“industry?”), survives in the scrapbook (pp. 21–21A), but it is apparent that a complete clipping of the Californian was once present, that the author revised it, and that the missing portions were then peeled away to serve as printer's copy for JF1. Reconstruction of the missing portions as Mark Twain revised them helps to determine what changes he made (see figures 6–7 in the textual introduction, volume 1, pp. 518–519, and figures 108A–B below). For details of the JF1 composite text and its subsequent reprinting and revision, see the textual commentary for “Burlesque ‘Answers to Correspondents’ ” (no. 201). Only the alterations made by Mark Twain in the Yale Scrapbook are recorded here, where they can be keyed to the complete text of the original Californian sketch; two of these changes are adopted as needed corrections of the copy-text.

Figure 108A. Page 21 of the Yale Scrapbook. Mark Twain revised this early part of the clipping, but it was not removed and therefore was not part of the JF1 composite text (no. 201).
Figure 108B. Page 21A of the Yale Scrapbook, showing Mark Twain's instruction for making a new paragraph at 204.4, and evidence for his conjectured revision of “ample” to “vast gloved.”
[begin page 200]
Answers to Correspondents

True Son of the Union.emendation—Very well, I will publish the following extract from one of the dailies, since you seem to consider it necessary to your happiness, and since your trembling soul has found in it evidence of lukewarm loyalty on the part of the Collector—but candidly, now, don't you think you are in rather small business? I do, anyhow, though I do not wish to flatter you:

Battle historical collation of Bunker Hill emendation.

San Francisco, June 17, 1865.

Messrs. Editors:emendation historical collation Why is it that on this day, the greatest of all in the annals of the rights of man—viz: the Gloriousemendation Anniversary of the Battle of Bunker Hill— our Great Ensign of Freedom does not appear on the Custom House? emendation historical collation textual note Perhaps our worthy Collector is so busyemendation historical collation Senator-making that it might have escaped his notice. You will be pleased to assign an excuse for the above official delinquency, and oblige

A New England Mechanic.”explanatory note emendation

Why was that published? I think it was simply to gratify a taste for literary pursuits which has suddenly broken out in the system of the artisan from New England; or perhaps he has an idea, somehow or other, in a general way, that it would be a showing of neat and yet not gaudy international politeness for Collectors of ports to hoist their flags in commemoration of British victories, (for the physical triumph was theirs, although we claim all the moral effect of a victory;) or perhaps it struck him that “this day, [begin page 201] the greatest of all in the annals of the rights of man,” (whatever that may mean, for it is a little too deep for me,) was a fine, high-sounding expression, and yearned to get it off in print; or perhaps it occurred to him that “the Glorious Anniversary,” and “our Great Ensign of Freedom,” being new and startling figures of speech, would probably create something of a sensation if properly marshalled under the leadership of stunning capitals, and so he couldn't resist the temptation to trot them out in grand dress parade before the reading public; or perhaps, finally, he really did think the Collector's atrocious conduct partook of the character of a devilish “official delinquency,” and imperatively called for explanation or “excuse.” And still, after all this elaborate analysis, I am considerably “mixed”alteration in the MS as to the actual motive for publishing that thing.

But observe how quibbling and fault-finding breed in a land of newspapers. Yesterday I had the good fortune to intercept the following bitter communication on its way to the office of a cotemporary, and I am happy in being able to afford to the readers of The Californian the first perusal of it:

Editors of the Flaming Loyalistexplanatory note : What does it mean? The extraordinary conduct of Mr. John Doe, one of the highest Government officials among us, upon the anniversary of the battle of Bunker Hill—that day so inexpressibly dear to every loyal American heart because our patriot forefathers got worsted upon that occasionalteration in the MS—is matter of grave suspicion. It was observed (by those who have closely watched Mr. Doe's actions ever since he has been in office, and who have thought his professions of loyalty lacked the genuine ring,) that this man, who has uniformly got drunk, heretofore, upon all the nation's great historical days, remained thoroughly sober upon the hallowed 17th of June. Is not this significant? Was this the pardonable forgetfulness of a loyal officer, or rather, was it not the deliberate act of a malignant and a traitorous heart? You will be pleased to assign an excuse for the above official delinquency, and oblige

A Sentinel Agriculturist upon the

National Watchtower.

Now isn't that enough to disgust any man with being an officeholder? Here is a drudging public servant who has always served his masters patiently and faithfully, and although there [begin page 202] was nothing in his instructions requiring him to get drunk on national holidays, yet with an unselfishness, and an enlarged public spirit, and a gushing patriotism that did him infinite credit, he did always get as drunk as a loon on these occasions—ay, and even upon any occasion of minor importance when an humble effort on his part could shed additional lustre upon his country's greatness, never did he hesitate a moment to go and fill himself full of gin. Now observe how his splendid services have been appreciated—behold how quickly the remembrance of them hath passed away—mark how the triedtextual note servant has been rewarded. This grateful officer—this pure patriot—has been known to get drunk five hundred times in a year for the honor and glory of his country and his country's flag, and no man cried “Well done, thou good and faithful servant”—yet the very first time he ventures to remain sober on a battle anniversary (exhausted by the wear and tear of previous efforts, no doubt,) this spying “Agriculturist,” who has deserted his onion-patch to perch himself upon the National Watch-Tower at the risk of breaking his meddlesome neck, discovers the damning fact that he is firm on his legs, and sings out: “He don't keep up his lick!—he's disloyal!”

Oh, stuff! a public officer has a hard enough time of it, at best, without being constantly hauled over the coals for inconsequential and insignificant trifles. If you must find fault, go and ferret out something worth while to find fault with—if John Doe or the Collector neglect the actual business they are required by the Government to transact, impeach them. But pray allow them a little poetical license in the choice of occasions for getting drunk and hoisting the National flag. If the oriental artisan and the sentinel agriculturalist held the offices of these men, would they ever attend to anything else but the flag-flying and gin-soaking outward forms of patriotism and official industry?

Socrates Murphy.—You speak of having given offense to a gentleman at the Opera by unconsciously humming an air which the tenor was singing at the time. Now, part of that is a deliberate falsehood. You were not doing it “unconsciously;” no man does such a mean, vulgar, egotistical thing as that unconsciously. You were doing it to “show off;” you wanted the people around you to [begin page 203] know you had been to operas before, and to think you were not such an ignorant, self-conceited, supercilious ass as you looked; I can tell you Arizona opera-sharps, any time; you prowl around beer-cellars and listen to some howling-dervish of a Dutchman exterminating an Italian air, and then you come into the Academyexplanatory note and prop yourself up against the wall with the stuffy aspect and the imbecile leer of a clothing-store dummy, and go to droning along about half an octave below the tenor, and disgusting everybody in your neighborhood with your beery strains. [N. B. If this rough-shod eloquence of mine touches you on a raw spot occasionally, recollect that I am talking for your good, Murphy, and that I am simplifying my language so as to bring it clearly within the margin of your comprehension; it might be gratifying to you to be addressed as if you were an Oxford graduate, but then you wouldn't understand it, you know.] You have got another abominable habit, my sage-brush amateur. When one of those Italian footmenemendation in British uniform comes in and sings “O tol de rol!—O, Signo-o-o-ra!—loango—congo—Venezue-e-e-la! whack fol de rol!” (which means “Oh, noble madame, here's one of them dukes from the palace, out here, come to borrow a dollar and a half,”) you always stand with expanded eyes and mouth, and one pile-driver uplifted, and your amplealteration in the MS hands held apart in front of your face, like a couple of canvas-covered hams, and when he gets almost through, how you do uncork your pent-up enthusiasm and applaud with hoof and palm! You have it pretty much to yourself, and then you look sheepish when you find everybody staring at you. But how very idiotic you do look when something really fine is sung—you generally keep quiet, then. Never mind, though, Murphy, entire audiences do things at the Opera that they have no business to do; for instance, they never let one of those thousand-dollar singers finish—they always break in with their ill-timed applause just as he or she, as the case may be, is preparing to throw all his or her concentrated sweetness into the final strain, and so all that sweetness is lost. Write me again, Murphy—I shall always be happy to hear from you.

Arithmeticus, Virginia, Nevada.—“I am an enthusiastic student of mathematics, and it is so vexatious to me to find my [begin page 204] progress constantly impeded by these mysterious arithmetical technicalities. Now do tell me what the difference is between Geometry and Conchology?”

Hereemendation textual note alteration in the MS you come again, with your diabolical arithmetical conundrums, when I am suffering death with a cold in the head. If you could have seen the expression of ineffable scorn that darkened my countenance a moment ago and was instantly split from the centre in every direction like a fractured looking-glass by my last sneeze, you never would have written that disgraceful question. Conchology is a science which has nothing to do with mathematics; it relates only to shells. At the same time, however, a man who opens oysters for a hotel, or shells a fortified town, or sucks eggs, is not, strictly speaking, a conchologist—a fine stroke of sarcasm, that, but it will be lost on such an intellectual clam as you. Now compare conchology and geometry together, and you will see what the difference is, and your question will be answered. But don't torture me with any more of your ghastly arithmetical horrors (for I do detest figures anyhow,) until you know I am rid of my cold. I feel the bitterest animosity toward you at this moment—bothering me in this way, when I can do nothing but sneeze and quote poetryalteration in the MS and snort pocket-hand-kerchiefs to atoms. If I had you in range of my nose, now, I would blow youremendation alteration in the MS brains outtextual note.

Young Mother.—And so you think a baby is a thing of beauty and a joy forever? Well, the idea is pleasing, but not original— every cow thinks the same of its own calf. Perhaps the cow may not think it so elegantly, but still she thinks it, nevertheless. I honor the cow for it. We all honor this touching maternal instinct wherever we find it, be it in the home of luxury or in the humble cow-shed. But really, madam, when I come to examine the matter in all its bearings, I find that the correctness of your assertion does not manifest itself in all cases. A sore-faced baby with a neglected nose cannot be conscientiously regarded as a thing of beauty, and inasmuch as babyhood spans but three short years, no baby is competent to be a joy “forever.”alteration in the MS It pains me thus to demolish two-thirds of your pretty sentiment in a single sentence, but the position I hold in this chair requires that I shall not permit you to [begin page 205] deceive and mislead the public with your plausible figures of speech. I know a female baby aged eighteen months, in this city, which cannot hold out as a “joy” twenty-four hours on a stretch, let alone “forever.” And it possesses some of the most remarkable eccentricities of character and appetite that have ever fallen under my notice. I will set down here a statement of this infant's operations, (conceived, planned and carried out by itself, and without suggestion or assistance from its mother or any one else,) during a single day—and what I shall say can be substantiated by the sworn testimony of witnesses. Ittextual note alteration in the MS commenced by eating one dozen large blue-mass pills, box and all; then it fell down a flight of stairs, and arose with a bruised and purple knot on its forehead, after which it proceeded in quest of further refreshment and amusement. It found a glass trinket ornamented with brasswork—mashed up and ate the glass, and then swallowed the brass. Then it drank about twenty or thirty drops of laudanum, and more than a dozen table-spoonsful of strong spirits of camphor. The reason why it took no more laudanum was, because there was no more to take. After this it lay down on its back, and shoved five or six inches of a silver-headed whalebone cane down its throat; got it fast there, and it was all its mother could do to pull the cane out again, without pulling out some of the child with it. Then, being hungry for glass again, it broke up several wine glasses, and fell to eating and swallowing the fragments, not minding a cut or two. Then it ate a quantity of butter,emendation pepper, salt and California matches, actually taking a spoonful of butter, a spoonful of salt, a spoonful of pepper, and three or four lucifer matches, at each mouthful. (I will remark here that this thing of beauty likes painted German lucifers, and eats all she can get of them; but she infinitely prefers California matches—which I regard as a compliment to our home manufactures of more than ordinary value, coming, as it does, from one who is too young to flatter.) Then she washed her head with soap and water, and afterwards ate what soap was left, and drank as much of the suds as she had room for, after which she sallied forth and took the cow familiarly by the tail, and got kicked heels over head. At odd times during the day, when this joy forever happened to have nothing particular on hand, she put in the time by climbing up on [begin page 206] places and falling down off them, uniformly damaging herself in the operation. As young as she is, she speaks many words tolerably distinctly, and being plain-spokenemendation in other respects, blunt and to the point, she opens conversation with all strangers, male or female, with the same formula—“How do, Jim?” Not being familiar with the ways of children, it is possible that I have been magnifying into matter of surprise things which may not strike any one who is familiar with infancy as being at all astonishing. However, I cannot believe that such is the case, and so I repeat that my report of this baby's performances is strictly true—and if any one doubts it, I can produce the child. I will further engage that she shall devour anything that is given her, (reserving to myself only the right to exclude anvils,) and fall down from any place to which she may be elevated, (merely stipulating that her preference for alighting on her head shall be respected, and, therefore, that the elevation chosen shall be high enough to enable her to accomplish this to her satisfaction.) But I find I have wandered from my subject—so, without further argument, I will reiterate my conviction that not all babies are things of beauty and joys forever.

Blue-Stocking, San Francisco.—Do I think the writer in the Golden Era explanatory note quoted Burns correctly when he attributed this language to him?

“O, wad the power the gift tae gie us.”

No, I don't. I think the proper reading is—

“O, wad some power the giftie gie us.”

But how do you know it is Burns? Why don't you wait till you hear from the Gold Hill News? Why do you want to rush in ahead of the splendid intellect that discovered as by inspiration that the “Destruction of the Sennacherib” was not written in Dutch Flat?

Agnes St. Clair Smith.—This correspondent writes as follows: “I suppose you have seen the large oil painting (entitled ‘St. Patrick preaching at Tara, A. D. 432,’emendation) by J. Harringtonexplanatory note, of San Francisco, in the window of the picture storeexplanatory note adjoining the Eureka Theatre, on Montgomery street. What do you think of it?”

[begin page 207]

Yes, I have seen it. I think it is a petrified nightmare. I have not time to elaborate my opinion.

discouraging emendation.

The fate of Mark Twain's exquisite bit of humor, in which he treats Byron's “Sennacheribemendation” as a communication from a Dutch Flat poet, will teach a lesson to our wits. The next time thathistorical collation Mark gets off a good thing in the same fine vein, he will probably append “a key”historical collation to the joke. Dramatic Chronicle.emendation historical collation explanatory note

Ah! but you forget the Gold Hill News and the Flag. Would they understand the “key” do you think?alteration in the MS

Historical Collation Answers to Correspondents
  “Battle  (I-C)  •  Battle  (MC)  [¶] “Battle  (Cal) 
  no ¶ Messrs. Editors: (Cal)  •  [¶] Editors Morning Call:— (MC) 
  our Great . . . House?  (Cal)  •  our great Ensign of Freedom does not appear on the Custom House? (MC) 
  busy (Cal)  •  busily engaged in (MC) 
  that (DC)  •  not in  (Cal) 
  “a key” (DC)  •  a “key” (Cal) 
  —Dramatic Chronicle. (Cal)  •  not in  (DC) 
Editorial Emendations Answers to Correspondents
  Union. (I-C)  •  Union[.]
  “Battle of Bunker Hill  (I-C)  •  Battle of Bunker Hill Cal has
  no Messrs. Editors: (Cal)  •  [¶] Editors Morning Call:—
  Glorious (Cal)  •  glorious
  our Great . . . House?  (Cal)  •  our great Ensign of Freedom does not appear on the Custom House?
  busy (Cal)  •  busily engaged in
  Mechanic.” (Cal)  •  Mechanic.‸
  footmen (JF1)  •  foot- | men
  [¶] Here (YSMT)  •  no Here
  your (YSMT)  •  not in
  butter, (JF1)  •  butter[,]
  plain-spoken (JF1)  •  plain- | spoken
  432,’ (I-C)  •  432,‸
  Discouraging  (Cal)  •  Discouraging
  Sennacherib (Cal)  •  Sennecharib
  —Dramatic Chronicle. (Cal)  •  not in
Alterations in the Manuscript Answers to Correspondents
 considerably “mixed”] altered to ‘much confused’.
   Source: Yale Scrapbook
 because . . . occasion] canceled.
   Source: Yale Scrapbook
  Socrates . . . think?] peeled away.
   Source: Yale Scrapbook
 ample] altered to ‘vast gloved’.
   Source: Yale Scrapbook
 [¶] Here] paragraph break added.
   Source: Yale Scrapbook
 quote poetry] altered to ‘swear’.
   Source: Yale Scrapbook
 your] added.
   Source: Yale Scrapbook
 forever.”] an asterisk and the following footnote added: ‘*The ensuing statement of the baby's performances is almost literally true.’
   Source: Yale Scrapbook
 It] paragraph break added.
   Source: Yale Scrapbook
Textual Notes Answers to Correspondents
 Glorious Anniversary . . . Custom House?] The capital letters in “Glorious” and in “Great” as well as the italics in “our Great Ensign of Freedom does not appear on the Custom House?” are emendations of MC adopted from Cal. Mark Twain's allusion to the effect of “stunning capitals” (201.7) and his general satiric purpose both imply that it was he who imposed these changes in the material being quoted.
 tried] It is tempting to regard “tried” as a typographical error for “tired,” especially since a few lines later the servant is described as “exhausted” (202.15). But in the absence of a manuscript, or of holograph correction in the Yale Scrapbook, the reading of the copy-text, “tried” (meaning “found good, faithful, worthy”), must be permitted to stand.
 Here] Cal omits a paragraph break at this point, thereby creating a minor inconsistency, which Mark Twain noticed as he revised the clipping in the Yale Scrapbook. “Make paragraph in 5th line of ‘Arithmeticus,’ after ‘Conchology’ ” he wrote. The change is adopted here as a correction, rather than a revision, of the copy-text. See figure 108B.
 blow your brains out] Cal omits “your,” an error corrected by Mark Twain in the Yale Scrapbook; we have adopted his correction here (see figures 6–7 in the textual introduction).
 It] Mark Twain inserted a new paragraph break before this word in the Yale Scrapbook clipping (see figures 6–7 in the textual introduction). It is tempting to regard this change as a restoration of Mark Twain's original manuscript form, but in the absence of that manuscript it must be regarded as a revision for the JF1 composite version, and we have therefore not adopted the change in the present text.
Explanatory Notes Answers to Correspondents
 “Battle . . . Mechanic.”] This letter had appeared in the San Francisco Morning Call on 18 June 1865 (p. 1). Beneath it the Call editor had added his mollifying reminder that only New Englanders customarily observed Bunker Hill day. The Evening Bulletin had also objected to the city's failure to observe the occasion, asserting that “the patriotism of San Francisco seems to be napping to-day. . . . Not a flag waves from any of our hotels or public buildings” (“Anniversary of the Battle of Bunker Hill,” San Francisco Evening Bulletin, 17 June 1865, p. 3).
  Flaming Loyalist] The name best fits the San Francisco American Flag, the patriotic Union newspaper that stubbornly refused to concede that Clemens had recognized “The Destruction of Sennacherib” as Byron's.
 Academy] The Academy of Music, where Maguire's Italian Opera Troupe was giving nightly performances.
 writer in the Golden Era] The misquotation from Robert Burns's “To a Louse” came from a reader's unsigned contribution in the San Francisco Golden Era (“To Correspondents,” Golden Era 13 [18 June 1865]: 4). Clemens' corrected version is accurate; the complete couplet reads, “O wad some power the giftie gie us / To see oursels as ithers see us!”
 large oil painting. . . by J. Harrington] According to the Call, the picture represented St. Patrick illustrating the meaning of the Trinity, by means of a shamrock, as he preached before an assembly of Irish religious and secular leaders. On 4 July 1865 the picture was presented to the Second Irish Regiment by the Reverend John F. Harrington of St. Mary's Cathedral, a relative of the artist, who was on his way to Rome (“Presentation of an Historical Painting,” San Francisco Morning Call, 6 July 1865, p. 3).
 picture store] The store of Jones, Wooll, and Sutherland at 312 Montgomery Street (Langley, Directory for 1865, p. 247).
  discouraging . . . Chronicle.] This item had appeared in the San Francisco Dramatic Chronicle on 20 June 1865 (p. 2).